Storytellers 2026 Project
By Roxanne McDonald & Waverley Stanley Jnr
Nana Kaandi, veteran puppeteer, tries to pitch her show to Netflix,but when her puppets come to life, reality bends and we wonder what is real and ultimately if Nana Kaandi will secure the deal in time and leave her mark on the world. Sesame Street, Mr Rogers, PlaySchool, these are some of the influences that the Nanna Kaandi show draws inspiration from. Ultimately The Nana Kaandi show asks how do you want to be remembered, and how do you want to leave a legacy, and are they the same thing?
“When Waverley first came to me with the premise and went on the journey of creating the story together, I didn’t want a stereotypical story of mob, especially an elder. I wanted something that reflects the themes of ageing, health, family history, life, love and loss. Nana Kaandi is not your stereotypical person in general, the character we created is a trendsetter and a pioneer of the arts, and I thought why not tell that story.”
– Roxanne Mcdonald
“I love the Nana Kaandi show and the character of Nana Kaandi for being such an icon and underdog she is as she goes for her goals in life. The themes that stuck out for me were the ideas of legacy and how that can be a trap in this society and I wanted to focus on the message, its not about what you do, its about how you make people in this life that’s more important.”
– Waverly Stanley Jnr
This creative development is part of the collaborative Storytellers partnership program between QPAC and Metro Arts, created to realise fresh ideas and foster new voices in theatre. Working with emerging to mid-career First Nations playwrights and physical theatre artists, the program supports the development of bold original work from early-stage script writing to show creation through a series of workshops and intensives, with guidance and direction from industry professionals.
Find out more about the Storytellers Program HERE.

Waverley Stanley Jnr (Artist) is a Gumbaynggirr, Kabi Kabi, Birri Gubba, Kaantju man living in Magandjin (Brisbane), Queensland. His career began performing onstage in poetry competitions. In 2019 he was a part of Playlab and QPAC’s emerging writers’ program, Sparks. In 2020 he was a part of the La Boite Theatre Company, Assembly program. Waverley graduated from the Creative Writing degree at QUT in 2023. In that same year Waverley was chosen to be a part of the Australia Plays Transform First Nations Playwrights Retreat to Bundanon. In 2024 he was a part of Ignition, a QPAC and Playlab program that sees Indigenous writers prepare a full draft of a script to be read. Waverley has written his first full length theatrical script, 21st Century Psychotic, which he has adapted for TV as well. In 2025 Waverley was a part of Moogahlin Theatre Company’s Yellamundie Festival for his new play The Lottery. Also, in 2025 Waverley was able to participate again in Australia Plays Transform First Nations Playwright Retreat to Bundanon. He is currently working on six plays as well as two feature films called A Very Murri Christmas and a zombie apocalypse blockbuster set in Brisbane called Ferry.
Photo by Lewis-James Media.

Aknowledgements
This creative development is a part of the Storytellers program which has been developed by QPAC in collaboration with Metro Arts.
Hero image by Lewis-James Media.
